Camera Lens Filters Explained
Lens filters are transparent or translucent glass or gelatin elements that attach to the front of a lens. They protect the camera lens, alter the characteristics of light passing through the lens or add special effects and colors to an image. They come in two types -- screw-in filters and slot-in filters.
Screw-in filters fit directly onto your lens, in the threads at the edge of the lens barrel. Each screw-in filter is a specific width, so the more lenses (of different widths) you have the more filters you’ll need. Screw-in filters are ideal, and make polarizers and UV filters easy to swap in and out.
For slot-in filters, a filter holder is placed on the lens’ adapter ring and filters are dropped into the holder. The holder usually has interchangeable rings so the holder can fit on a wide array of lenses. The holder typically has three or four grooves, so you can put more than one filter in the holder. The advantage of the slot-in filter, is that you can add or subtract filters relatively quickly and larger filters can work on shorter, smaller lenses.
Filters change the dynamics of the light entering the lens and usually require you to alter your exposure to compensate for this fact. This is called the Filter Factor and each filter has a specific filter factor, so read up on these to learn how to use them.
Ultra Violet filters are transparent filters that block ultra-violet light, in order to reduce the haziness that is noticeably apparent in some daylight photography. UV filters don’t affect the majority of visible light, so they are a perfect form of lens protection and they will not alter your exposure. There are some “strong” UV filters that are more effective at cutting atmospheric haze and reducing the notorious purple fringing that sometimes shows up in digital photography. Purple fringing is a purple ghost that you see at the edges of a subject when it is slightly out of focus.
A Polarizing filter can be used to darken overly light skies as it increases the contrast between clouds and the sky. Like the UV filter, the Polarizer reduces atmospheric haze, but also reduces reflected sunlight. The most typical function of a Polarizer is to remove reflections from water and glass. When angled (or spun) properly, the Polarizer eliminates the reflection when shooting through a glass window or into water; a handy trick to be sure! There are two types of polarizers: linear and circular. Both types of polarizers produce a similar effect, except the circular polarizer eliminates unwanted reflected light with the help of a quarter-wave plate. The resulting image is free of reflected light, and transparent objects like glass are free of reflections.
Color Balancing Filter
As you know, visible light is made up of a multiple color spectrum. But in photography, you have to make a choice to capture images with the camera’s white balance set to record whitish blue light of daylight or set to record the reddish-orange tungsten (incandescent) light… with a few variations (i.e. sodium-vapor or fluorescent). This is what the white balance is used to control, and you use a color balancing filter to affect a change in your light sources. However, you can use a Color Balancing filter to compensate for the various differences in the photographed color of light (e.g. daylight is cooler and appears blue, whereas tungsten is warmer and appears reddish orange). The 85B (warm-up/orange filter) and the 80A (cool-down/blue filter) are the two standard filters for compensating for color balancing. The 85B enables you to shoot in the daylight when the white balance/color temperature is set for tungsten. Without the 85B filter, your image will have a blue color cast to it. The 80A enables you to shoot under tungsten light when the color temperature/white balance is set for daylight. Without the 80A, your image will be abnormally warm/reddish orange. These filters have fallen out of use recently because this type of color temperature correction can easily be achieved with image processing software. Some photographers use them for various artistic affects.
Neutral Density Filter
Attaching a neutral density (ND) filter to your lens uniformly reduces the amount of light entering the lens. The ND filter is helpful when the contrast between the highlights and shadows is too great to get a quality exposure. The ND Filter also can enable greater motion blurring and image detail by allowing a large aperture and/or a slow shutter speed to be used. A variant on the ND filter is the graduated ND, in which there is a gradient that effects the reduction of light in a graduated, neutral level from 100% to 0% across the length of the filter. The Graduated ND is recommended for shooting landscapes and seascapes, because you can reduce the brightness of the sky (for better contrast) but still maintain an affecting exposure of the land or water.
Soft Focus Filter
Soft focus filters, do exactly that, they reduce the sharpness of an image, but only to an extent that is barely noticeable. They are useful in shooting close up shots of people’s faces. With the help of a little diffusion; imperfect skin conditions are replaced by silky smooth skin. Remember you can use soft focus filters while photographing landscapes or monuments as well.
Filters for B&W Photography
There are specific filters for B&W photography that block certain wavelengths of visible light, thereby enhancing the monochromatic look. There are Red, Orange, Yellow, Green and Blue filters for use in B&W photography. For instance, the red 25 filter blocks red light and enhances the blue light, giving you a deep, perhaps more ominous sky. The green filter will darken a sky and it will also lighten green foliage and make it stand out against the sky (perfect for photographing trees). It’s a good idea to experiment with this filter using the B&W setting, as opposed to shooting in color and converting the image to B&W in an image processor.
Photographic filters are used to achieve image enhancement effects that can change the tone and mood of your photographs. Filters inject slight, but noticeable alterations to your image. You can achieve many of the same effects by extensive tweaking in Photoshop (or another image manipulation software package), but when you use a filter you can immediately see the difference to your image in the viewfinder. The effects of filters are more pronounced when working in B&W, as the monochromatic tonal scale reacts much differently, and also with greater dramatic affect. As with every new photographic accessory, practice and experimentation are the keys to expanding the application of your creative palette.